Michelle Alexander

Michelle Alexander is a highly acclaimed civil rights lawyer, advocate, legal scholar, and best-selling author. Her award-winning book, The New Jim Crow: Mass Incarceration in the Age of Colorblindness, helped to spark a national debate about the crisis of mass incarceration in the United States, and inspired racial justice organizing and advocacy efforts nationwide. Numerous commentators have dubbed The New Jim Crow “the bible of a social movement,” and the book has become a staple of university curriculums, advocacy trainings, reading groups, and faith-based study circles. Alexander has been featured on national radio and television media outlets, including, among others, CNN, MSNBC, NPR, The Bill Moyers Journal, the Tavis Smiley Show, MSNBC, C-Span, and Democracy Now! She has also written for numerous publications including, The New York Times, The Washington Post, The Nation, The Los Angeles Times, and The Huffington Post.

Alexander has taught at a number of universities, including Stanford Law School, where she was an associate professor of law and directed the Civil Rights Clinics. In 2005, she won a Soros Justice Fellowship, which supported the writing of The New Jim Crow, and that same year she accepted a joint appointment at the Kirwan Institute for the Study of Race and Ethnicity and the Moritz College of Law at The Ohio State University. In 2015, Alexander accepted an appointment as a Senior Fellow for the Ford Foundation. Currently, she is a Visiting Professor at Union Theological Seminary in New York City where she is exploring the moral and spiritual dimensions of mass incarceration, and working with other committed souls on multi-media projects aimed at transforming public consciousness with respect to race, justice and democracy in America.

Prior to entering academia, Alexander served as the Director of the Racial Justice Project for the ACLU of Northern California, where she coordinated the Project’s media advocacy, grassroots organizing, coalition-building, and litigation. The Project’s priority areas were educational equity and criminal justice reform, and it was during those years that she launched a major campaign against racial profiling by law enforcement, known as the “DWB Campaign” or “Driving While Black or Brown Campaign.”

In addition to her non-profit advocacy experience, Alexander has worked as a litigator at private law firms, including at Saperstein, Goldstein, Demchak & Baller, in Oakland, California, where she specialized in plaintiff-side class action lawsuits alleging race and gender discrimination.

Alexander is a graduate of Stanford Law School and Vanderbilt University. Following law school, she clerked for Justice Harry A. Blackmun on the United States Supreme Court, and for Chief Judge Abner Mikva on the United States Court of Appeals for the D.C. Circuit.

Wynton Marsalis

Wynton Marsalis (Trumpet) is the managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer. Born in New Orleans, Louisiana in 1961, Marsalis began his classical training on trumpet at age 12, entered The Juilliard School at age 17, and then joined Art Blakey and the Jazz Messengers. He made his recording debut as a leader in 1982, and has since recorded more than 60 jazz and classical recordings, which have won him nine Grammy Awards.

In 1983 he became the first and only artist to win both classical and jazz Grammys in the same year and repeated this feat in 1984. Marsalis is also an internationally respected teacher and spokesman for music education, and has received honorary doctorates from dozens of U.S. universities and colleges. He has written six books; his most recent are Squeak, Rumble, Whomp! Whomp! Whomp!, illustrated by Paul Rogers and published by Candlewick Press in 2012, and Moving to Higher Ground: How Jazz Can Change Your Life with Geoffrey C. Ward, published by Random House in 2008.

In 1997 Marsalis became the first jazz artist to be awarded the prestigious Pulitzer Prize in music for his oratorio Blood on the Fields, which was commissioned by Jazz at Lincoln Center.

In 2001 he was appointed Messenger of Peace by Mr. Kofi Annan, Secretary-General of the United Nations, and he has also been designated cultural ambassador to the United States of America by the U.S. State Department through their CultureConnect program. Marsalis was instrumental in the Higher Ground Hurricane Relief concert, produced by Jazz at Lincoln Center. The event raised more than $3 million for the Higher Ground Relief Fund to benefit the musicians, music industry-related enterprises, and other individuals and entities from the areas in Greater New Orleans who were affected by Hurricane Katrina. Marsalis helped lead the effort to construct Jazz at Lincoln Center’s home—Frederick P. Rose Hall—the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004.

Jazz At Lincoln Center Orchestra

Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. With the world-renowned Jazz at Lincoln Center Orchestra and a comprehensive array of guest artists, Jazz at Lincoln Center advances a unique vision for the continued development of the art of jazz by producing a year-round schedule of performance, education, and broadcast events for audiences of all ages. These productions include concerts, national and international tours, residencies, weekly national radio programs, television broadcasts, recordings, publications, an annual high school jazz band competition and festival, a band director academy, jazz appreciation curricula for students, music publishing, children’s concerts and classes, lectures, adult education courses, student and educator workshops, a record label, and interactive websites.

Under the leadership of Managing and Artistic Director Wynton Marsalis, Chairman Clarence Otis, and Executive Director Greg Scholl, Jazz at Lincoln Center produces thousands of events each season in its home in New York City, Frederick P. Rose Hall, and around the world. For more information, visit jazz.org.